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Review of "The Sound of Music"
06.12.2017 15:32

The film review presented below explores an extensive analysis of audiovisual, musical and cultural details of the film The Sound of Music. The film is produced and directed by the renowned producer Robert Wise. Three scenes regarding the film have been given utmost focus throughout the whole paper. The scenes include the first time the children of Von Trapp learn and internalize the concept of music, the initial time Maria gives an explanation of what makes her happy and feel better and lastly that moment when Captain Von Trapp sings Edelweiss. There is a reason for singling out the three scenes. The music in its simplest essence highlights the instance representing each and every member of the Von Trapp family. Essentially, music contributes to the compelling concept of love. For instance, Captain von Trapp has his love for Austria whereas Maria is portrayed to love the kids. Additionally, Maria’s love for music has been obvious. As evidenced in each scene of the film, music posses an emotional influence on the viewers. The paper, therefore, discusses why and how music made this impact to be significant. In each of the scenes described, music plays a direct narrative role whereby the sound as well as the lyrics of the song directly narrates the story. As a result, the human emotions and attention are involved in the various instances of the song. Furthermore, during each scene, the musical characters show love in various ways, all having a key connection to the fundamental theme of the movie. In the entire review, there is extensive analysis of each song’s lyric and musical features. The central focus is on instruments used and their connection with the song and the given situation. Lastly, there is the need to note that at the absence of music, it becomes difficult to single out the emotions of the characters as well as its relation to the scene.

Historical analysis

The Sound of Music is an archetypal Hollywood film produced in 1965. Up to date, the plot comprising melodies and a moving story of the upsurge of Nazi rule in Australia express a skillful combination of melodies to enhance the logical and emotional appeal to the viewers. Specific scenes of focus typify the 1960s productions characterized by the kirche-küche-kinder emotion (Santopietro 197). Predominantly, the sing-along performances and unique characters dressed like sweet children and nuns improve the visual appeal representing an era in human civilization. Besides, the scenes entail a tuneful 2D agreeable score performed by Richard Rodgers-Oscar Hammerstein emphasizes the frightening events surrounding the family of Captain Georg Ritter Von Trapp that comprised a governess and seven offsprings. Therefore, the film expresses the real events that accompanied the Nazi governance in the 1980s. It shows the actual struggles including depression, human rights violation, and economic hardships resulting from poor policies and civil unrests. A keen analysis of the scenes commencing with the arrival of Maria into the family introduces the concept of love for music (Wilk 80). Maria successfully nurtures the siblings particularly Liesl to relive the music and apply it to overcome life challenges.

Visual analysis

The film features comprising the highlands and the magnificent figure of Maria, the governess thereby offering a special visual appeal. The film documents some of the serious events in the Nazi era. The cinematic effects coupled with the steady and clear voice humming the lyrics in the backgrounds familiarizes the theme of love and confidence. Therefore, the film extensively validates a good perseverance that guides Maria to form an outstanding relationship with the children and the captain (Maslon 148). Moreover, the film incorporates dogmatic songs at the initial stages of the inception; this creates an ethical dilemma of the good or wrong actions, for example, Marias dilemma to embrace divine or material love.

Musical and lyrical analysis

As highlighted, music is an important component of the film. “Do re me” connects with the starting song “The Hills are Alive” to offer the perception of a new beginning. The mentioned song helps relive the Maria’s background from when she was orphaned through to college and finally into the family of Von Trapp. It symbolizes the continuity of life despite the adversaries that individuals face (Hillier 119). Therefore, it connects the musical rhythm that evidences in the entire film and improves viewers’ comprehension of the scenes. Particularly, it introduces the character Maria to the realm and indicates how she manages to cope with the new family using the songs. The scene where Von Trapp children learn music symbolizes a stage of self-realization and acceptance of the life challenges. The famous song in the scene is “I Have Confidence”. First, the title of the song represents a paradigm shift regarding the perception of the world and relationships. It also denotes a generation characterized by enhanced esteem and desire to achieve life aspirations (Onwugbolu 87). In the beginning, Maria addresses the hostility from the children through a song. The approach denotes substantial information, for instance, music is a tool for communication. Second, songs appeal to the different human attributes including pathos, ethos, and logos. Finally, songs facilitate relationships and can apply in conflict resolution. Therefore, “Do Re Me”, for instance, marks the commencement of a learning process by the captain’s children. In turn, singing together with the children enabled a significant family bond that heightened cooperation. The lyrics, for example, “I am seeking the courage I lack” imprints the significance of confidence in forming functional relationships. Thus, Maria sings the song on her way to the Von Trapp’s house to gain the inspiration for success in the new task. The accompanying display of the Salzkammergut Lake District improves the backdrop feature (Baer 117). Therefore, the song compliments the imagery to improve the required visual appeal and demonstrate the love.

Similarly, "My favorite things” enriches the plot and musicals to express creatively feelings. Particularly, the musicals jointly demonstrate the eventual wedding and romance of Maria and the Captain. It also enables Maria to open up about the issues that make her feel good. In this perspective, the deep tone coupled with powerful vocal clearly defines the disparity of the thoughts (Frederic). Nonetheless, the union created by the song enables the formation of amicable solutions. An illustration of the scenes indicates that background tempos distinctly pair the aspirations of the governess, the chaotic children, and the captain to ascertain the significance from abstract and objective illustrations. The musicals also define characters, for instance, Maria’s role of teaching the family the art of singing makes her the watchers eye throughout the movie (Trapp 143). The singing prowess, for example, creates suspense that keeps people glued through the film. Therefore, self-disclosure through the songs communicates her obstacles that include life status.

Finally, the Edelweiss sums up the Georg von Tapp’s perceptions of family, ethical dilemmas, relationship, and romance. In the scene, the family has established their sense of togetherness and use of song to promote understanding. Therefore, they passionately sing to express their feelings about the land, patriotism to Austria (Carr and Strauss 98). Thus, the song Edelweiss syndicates soaring voices with the spiritual awareness to generate a cynical impresario. In turn, they exemplify the richness of musicals in demonstrating love in the Sound of Music.

Conceivably, songs exemplify an articulated performance that incorporates cinematography, sing-along musicals, and instruments to express the love and romance despite the ethical challenges of the era. Maria’s background and the capability to influence the perceptions of the children through the songs further stamp the significance towards creating a working relationship. Thus, the highlighted songs are brilliantly structured, ineradicable, and indestructible to address the life obstacles and the mechanisms for overcoming challenges through cooperation (Russell and Waters 96). The creativity of the creators including nice songs and suspense keeps the viewer glued and singing along during the entire session. Therefore, Sound of Music is an example of a magnificent piece of art that continually progresses to quench the desires of different generations. 



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